Thanks to one of my good local friends, I’ve had Benny Andersson’s new album for well over a week now. The Benny Anderssons Orkester (BAO) has compiled a bunch of songs from their three previous albums and translated a handful of songs originally sung in Swedish into English, and added an all new song and released the album with the intention of releasing it outside the Swedish market. To help make it more readily accessible for the English markets, they’ve even renamed the band for the album calling themselves, the “Benny Andersson Band”
The most successful singles from the previous albums have been sung by Helen Sjöholm. From BAO’s first album, “Vår Sista Dans” topped the Svensktoppen (Swedish language song charts) for 30 weeks of it’s 56 week stay on the chart. It makes it’s official English language debut on “Story Of A Heart” as “(If This Is) Our Last Dance.” The song has been performed in English for the live performances BAO has done outside of Sweden such as Glasgow and Minneapolis, but now fans can officially have a studio recording of the English language version. And from BAO’s second album, “Du Är Min Man” which was originally released on July 11, 2004, and to this day still hasn’t left the Svensktoppen charts, that’s 5 years on the chart, 261 weeks and counting according to Swedish Radio. It is officially the longest charting song in the history of the Svensktoppen list and it also has the distinction of being the longest running song in the number one spot, which it held for its first 38 weeks on the chart. The song makes it’s officially released debut as “You Are My Man” on the album. However, it does have some interesting history as an English language song. Prior to the Minneapolis, Minnesota appearance of BAO, a promo CD containing a recording of the song in English was sent out to the attendees. However, the lyrics to that recording are different from the new lyrics featured here on the officially released album. So the promo CD as a collector’s item retains it’s value. I’m still undecided if I like the new lyrics as featured on the album, I think it could be that I’m just so used to the promo CD’s lyrics that I can’t get into the new ones. In any case, it’s still a welcome addition to the original Swedish version.
Continue reading Benny Andersson Band – Story Of A Heart
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Benny Andersson Orkester, also known as BAO for short, recently released an album aimed at the English speaking market under the name of Benny Andersson Band. To commemorate the Swedes taking over the presidency of the EU, the Benny Andersson Band headlined a Swedish festival in Hampstead Heath on July 4th in a free performance just slightly north of London.
It’s not the first time the Benny Andersson Band has performed for a mainly English speaking audience. The band has performed previously in Glasgow as well as in Minneapolis. Brining a touch of Swedish folk along with several other styles of music, an evening with the Benny Andersson Band is always an eclectic experience. One of the joys of seeing Benny Andersson perform is his true love for music. He is clearly in his element and it becomes a pure joy to see him perform the music he’s crafted in both the most traditional of Swedish styles as well as his own pop styles.
Those expecting to hear a slick ABBA style performance would be clearly disappointed by what Benny dubs “14 middle aged men” and two vocalists, the incredible Helen Sjöholm, and Tommy Körberg. The very traditional folk and vocal styles are often more reminiscent of a big band era performance than a modern pop band. The band plays a variety of styles of traditional dance music and often encourages dancing while they play instead of a more traditional concert performance. Because of this their performances often last far longer than traditional concerts. When I saw the band in Minnesota a few years ago, they played for four hours. The London performance lasted for two and half hours and according to the reports that have come in, the show was excellent.
Continue reading Benny Andersson Band Played London On July 4th
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If you think the only musical theatre entry of Björn Ulvaeus and Benny Andersson of ABBA is MAMMA MIA!, you’d be wrong. Shortly after the last songs of ABBA’s catalogue were completed, the members of ABBA decided to take a break from the group, and Björn & Benny decided to try their hand at writing a musical. Tim Rice, well known for his collaborations with Andrew Lloyd Webber, was in the market for new composers to work with for his idea of building a musical around the idea of a Chess championship. After having met Björn & Benny and deciding to work together, the process of bringing Chess to life was born.
Andrew Lloyd Webber and Tim Rice established a successful formula of trying out the songs from shows they wrote in a “Concept Album” format that got released to the public long before a staged version of the show got made. This methodology was an invaluable way to see if the songs were good enough to warrant the time and expense of launching a full scale musical. Instead of going to the expense of launching a full show, it’s a chance to release the album to the public and see if it generates enough interest. If the album tanks, a fortune has been saved, and if it succeeds, then it creates an audience for the show when it gets launched.
Continue reading CHESS In Concert DVD & CDs Available Tuesday
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