Tag Archives: Dance

The Return Of Captain Eo

On a recent visit to Disneyland with some friends, we took the opportunity to see the return of Captain Eo, which Disneyland brought back as a tribute to Michael Jackson due to Michael’s death last year. The attraction is billed as the “Captain Eo Tribute” as opposed to just Captain Eo. And the attraction is replacing “Honey, I Shrunk The Audience” 3-D attraction which I think is what originally replaced Captain Eo in the first place when Disneyland pulled the attraction.

The attraction starts out with a “pre-show” which Disneyland highlighted was the original pre-show from when Captain Eo first premiered back in 1986. And I think the pre-show just really showcased how attention spans have gotten considerably shorter, as the pre-show just dragged on and on and on endlessly where the footage would have been sliced and spliced considerably more if it was being made for today’s audiences to keep the pace moving. It showcased some of the casting, the rehearsal process, and the making of Captain Eo. The pre-show was also hammering down the notion of how landmark Captain Eo is as a collaboration of Michael Jackson (arguably at his peak of popularity), George Lucas (still hot off the heels of the success of his original Star Wars Trilogy), Francis Ford Coppola (a legendary director) and of course, Disney. Okay, we get it, big names bring big expectations.

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Alcazar’s Unecessary Remake Of Wham!’s “Last Christmas”

AlcazarAlcazar is one of Sweden’s pop bands that have carved an interesting niche for themselves. They are a European dance music act that over the years since their debut have an interesting career that’s been pretty hard to define. Some of what they’ve done is breathe new life into older songs such as their 1998 cover of the Human League’s “Don’t You Want Me.” In other cases they’ve borrowed old melodies and given them new lyrics such as “Crying At The Discotheque” uses the melody from “Spacer” from Sheila & B. Devotion, and have even taken the lyrics from one song and set them to the melody of another such as “This Is The World We Live In” which sets the lyrics from Genesis’ “Land Of Confusion” to the melody of Diana Ross’ “Upside Down.” And they’ve even had a few songs written especially for them to perform.

Every album released to date has seen a change in the lineup from the previous album, but one of the consistent features of the group has been the lead vocals being performed primarily by Andreas Lundstedt. I was very impressed by his amazing voice since the first time I heard their debut album. In fact, I truly hated the Human League’s “Don’t You Want Me” song because I thought the original had such horrible sounding vocals until Andreas’ much better vocals convinced me the song was a lot better than I gave it credit. Andreas’ voice has been wonderfully supported by Tess Merkel, Annikafiore Kjaergaard, and later joined by Magnus Carlson and then later by Lina Hedlund. And together they’ve produced some really fun pop dance music to keep the first decade of the 21st century interesting.

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