I don’t often make it to the coastal areas of San Diego any more, and these days when I do it’s the coastal areas near San Diego, not so much the North County coastal areas. I opted for a nice drive down the coast and when I neared Encinitas, it struck me that it’s been ages since I last visited Lou’s Records on Coast Highway.
I spent a fortune there back in the day as they were the best place to get import CDs back when I used to buy a lot of music. In fact, my very first visit was an expensive one as I found some amazing hard to get ABBA imports that to this day I’ve never seen anywhere outside of overpriced eBay auctions. Lou’s Records was also the store where I did my very first special order of an import, which was for a Swedish language solo album by Marie Fredriksson of Roxette. So when I decided to stop in at Lou’s I wasn’t sure they were even still around as it seems stores dedicated to selling music are harder to find than they used to be. Fortunately Lou’s was still there and I was instantly nostalgic for the hours I would spend combing the racks there for the many treasures I would find there.








I’ve long felt that the music industry has been out of touch with reality with the business model it has been using since the Internet became so popular. My opinion remains unchanged but I wanted to share a recent experience, that had the record industry been set up to capitalize on it, they would have not only gotten a sale from me, for which I was perfectly willing to spend money on, but because of sheer stupidity and region issues, I was forced into downloading for free, what I was perfectly willing to pay for.
Per Gessle, who is best known as being the primary songwriting force behind Roxette, released a brand new solo album in Europe at the end of 2008 called, “Party Crasher.” This is his first English language solo album since his 2005 experimental solo album released under the artist name “Son Of A Plumber.” Prior to the “Son Of A Plumber” album, Per Gessle’s last English solo album was 1997′s “The World According to Gessle.”
On March 11th, I caught “The Broadway Tour” of Jonathan Larson’s Epic masterpiece, RENT, hit San Diego’s Civic Theatre. I went with my friend Louie Taylor. Part of the main reason I wanted to go see RENT was because the main draw of the tour is that it has been billed as featuring original cast members, Anthony Rapp and Adam Pascal who would be reprising their roles as Mark and Roger respectively. An unadvertised bonus is that another original cast member, Gwen Stewart, is also reprising her role in the tour as one of the ensemble players as a variety of characters and featured solo vocalist during “Seasons Of Love.”


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