Now that 2009 has come to a close and 2010 has begun, I can safely say that it’s a year that has been very challenging and although I am not the least bit sad to see 2009 go, it certainly was not without some really incredible experiences for me that I would like to highlight before wipe the slate clean and start fresh with 2010.

This list was especially difficult to narrow down since 2009 was the year I kicked my blogging into high gear. I had started Ryan’s Incredible World in 2007 didn’t actually start blogging until 2008 and I would maybe make no more than five entries a month. So picking my highlights of 2008 was relatively easy since there wasn’t so many blog entries to go through to pick out the defining moments.

I had joined a couple of 30-Day blogging challenges which requires 30 blog entries in 30 days and it essentially got me into the habit of making almost daily blog entries. Now it’s pretty safe to say that each month sees about 25 new blog entries. The constant blogging has actually helped bring a bigger audience to my blog, so if your first time reading any of my writing has been in 2009, then no doubt something I wrote in 2009 caught your eye and is why you’re here reading this entry now. I am grateful for the many folks who’ve read my blog and left me comments, it’s been a pleasure to hear your feedback throughout the year. In any case, I looked through every post of 2009 to select what I feel were the 10 Most Incredible Things about 2009 that happened for me. You’ll note I combined a few complimentary things to narrow it down to 10.

I do hope you enjoy my reflection on 2009 and continue to join me on my quest to find the most incredible things of 2010. Without further ado, in no particular order.

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Last week when I was introduced to Rosalind Russell’s “Auntie Mame” film from 1958, one of the hosts of the screening referred to the Lucille Ball lead musical version simply called “Mame” from 1974 as an abomination. Naturally, I felt obligated to see for myself how allegedly terrible this version is. And I didn’t find it horrible at all, in fact I quite enjoyed it.

To preface seeing both films, I should admit, I was actually introduced to the Original Broadway Cast recording by my Australian friend, Graeme Read, who is a big fan of the song “Open A New Window” and as a result of his introducing me to the song, I’ve actually had the cast album for a number of years now. I knew of Angela Landsbury through the “Murder She Wrote” series and Bea Arthur through both “Maude” and “The Golden Girls.” Also my grandmother looked a lot like Bea Arthur, I’ve always felt like anything Bea did was a larger than life version of my grandma. So anytime I see Bea Arthur on “The Golden Girls” or play a song from “Mame” I am always reminded of my grandma.

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Tonight I met up for dinner with my good friend Vito Grandolfo, before we attended a screening of the classic campy film, “Mommie Dearest” starring Faye Dunaway as Joan Crawford. The screening was part of the local FilmOut monthly movie series at the Birch North Park Theatre in North Park. Vito and I met up with some friends who were also planning to see the show. It seemed like a good and fun idea to go see a wickedly bad movie that definitely inspired some audience participation as fans of the movie shouted out some of the biggest lines from the movie back at the screen.

I had never been to the Birch North Park Theatre before. It was a nice venue for one as old as it is. It wasn’t too large and wasn’t too small either. It looks like the venue is able to be used for stage productions as well, tonight there just happened to be a huge screen parked on the stage. Before the movie began they did a raffle for a few prizes and even awarded one for someone who had come dressed as Joan Crawford. Additionally the screening had Billy Masters as an opening act. He came, shared some stories about the movie, how Faye Dunaway thinks the movie killed her career, and gave away some prizes. I’m not entirely sure who he is, but he was moderately entertaining. He said to watch out for his favorite part in the movie which occurs during the infamous wire hanger scene and the cleaning powder where Faye goes cross-eyed for a moment.

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Later today I will be boarding a couple of flights that will take me to New York City. My flights are “Red Eye” flights that will deliver me to New York first thing tomorrow morning. I’m excited to be seeing the new English translation of the epic musical, Kristina, written by ABBA’s Björn Ulvaeus and Benny Andersson. The show is based on Vilhelm Moberg’s epic novels in “The Emmigrants” series which chronicles the adventures of Swede Karl Oskar and his wife Kristina as they move their family from famine stricken Sweden to the wild’s of America in the late 1800’s.

Kristina is not being staged as a complete show, it is being staged in a concert style at the famed Carnegie Hall. The purpose of which is to record the show as well as gauge the reaction to it to see if there’d be interest in a fully staged version. The original Swedish epic was a definitely considered an epic masterpiece by those who saw it, but at a four hour running time, is going to have to undergo some trimming if its ever going to be staged fully here in the United States. The concerts will be a good indication of where some of the trimming has been done.

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In some ways it’s hard to believe it’s been eight years since the tragedy of the World Trade Center towers in New York City falling due to two terrorist highjacked passenger planes aiming for and crashing into each tower. In other ways its hard to believe it hasn’t been longer. In any case, this year it seems a little more poignant to remember the tragedy of September 11, 2001 or 9/11 as it seems to be commonly referred to.

I think the reason why I feel like I need to honor the memory of September 11, 2001 is that I had my first trip to New York in October 2001 to attend the Mamma Mia! premiere on Broadway, and this year, in a couple more weeks I will be returning to New York for the first time since 2001 to see Björn Ulvaeus and Benny Andersson of ABBA launch the English language concert version of their musical, Kristina. Kristina is the musical Björn and Benny wrote that tells the story of Swedish immigrants coming to the United States in the late 1800’s. The story is based on the book series known as “The Emigrants” by Vilhelm Moberg. The New York performances are being staged as a concert version of the show instead of a fully staged production at Carnegie Hall. This will be in many cases the public’s first chance to experience the show in English. A workshop version of it was worked on a couple years ago but never heard if it actually had any public performances.

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I think in large part due to the phenomenal success of “Mamma Mia! The Movie” last summer which was released shortly after last year’s San Diego County Fair concluded, the organizers of the San Diego County Fair thought it fitting to bring in an ABBA tribute band as a headlining act for the 2009 San Diego County Fair at the Del Mar Fairgrounds. Fortunately the organizers picked what I consider to be the world’s best ABBA tribute band out there. That tribute band is Arrival, who like ABBA, also originate from Sweden and the show Arrival is touring under is called “The Music Of ABBA”.

Headed by Vicky Zetterberg (who portrays Anni-Frid “Frida” Lyngstad) and joined by Jenny Gustafsson (who portrays Agnetha Fältskog), Arrival brought a wonderful touch of Sweden to San Diego, not once, but twice with two shows on July 2, 2009. The afternoon show began at 2pm and while the program states the afternoon concerts are hour long shows, Arrival played for a full two hours bringing a complete ABBA show to those down at the fair early enough to catch the afternoon show. I was personally fighting with traffic and the whole mess with parking so I didn’t make it to the Heineken Grandstand Stage until 2:30pm but I did get there. Arrival were performing “Gimme! Gimme! Gimme! (A Man After Midnight)” as I arrived.

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If you think the only musical theatre entry of Björn Ulvaeus and Benny Andersson of ABBA is MAMMA MIA!, you’d be wrong. Shortly after the last songs of ABBA’s catalogue were completed, the members of ABBA decided to take a break from the group, and Björn & Benny decided to try their hand at writing a musical. Tim Rice, well known for his collaborations with Andrew Lloyd Webber, was in the market for new composers to work with for his idea of building a musical around the idea of a Chess championship. After having met Björn & Benny and deciding to work together, the process of bringing Chess to life was born.

Andrew Lloyd Webber and Tim Rice established a successful formula of trying out the songs from shows they wrote in a “Concept Album” format that got released to the public long before a staged version of the show got made. This methodology was an invaluable way to see if the songs were good enough to warrant the time and expense of launching a full scale musical. Instead of going to the expense of launching a full show, it’s a chance to release the album to the public and see if it generates enough interest. If the album tanks, a fortune has been saved, and if it succeeds, then it creates an audience for the show when it gets launched.

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Elaine Paige, often dubbed, “The First Lady Of British Theatre,” for her impressive stage career as one of Britain’s musical theatre stars. Some of the highlights of her career include being the first woman to star as Eva Peron in “Evita” and was the first to ever belt out the song “Memory” from London’s stages in “Cats.”

In addition to her stage career, she hosts a BBC Radio 2 program highlighting music from theatrical shows. On the April 5, 2009 broadcast to mark the 10th anniversary of “Mamma Mia!” on London’s West End, Elaine interviewed Benny Andersson and Björn Ulvaeus ABBA to talk about “Mamma Mia!” as well as 25th Anniversary of “Chess” (Benny and Björn’s musical from the 1984 that they co-wrote with Tim Rice and coincidentally also starred Elaine Paige). Elaine joined Benny and Björn at Benny’s Mono Music Studio in Stockholm for the interview portion of the program.

In addition to spending time discussing both “Mamma Mia!” and “Chess” with the boys from ABBA, Elaine also got them to discuss their other musical “Kristina Från Duvemåla.” which up until now has only been in Swedish. One of the highlights from the discussion was the first presentation of “Du Måste Finnas” in English as performed by Helen Sjöholm, who played Kristina in the original Swedish cast. In English, the song is entitled, “You Have To Be There” and the lyrics were said to be a draft version and are not yet set in stone as the final version of it. If everything goes according to plan, New York audiences will be treated to a concert version of the new English translation of the show on September 23 and 24th at Carnegie Hall.

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On March 11th, I caught “The Broadway Tour” of Jonathan Larson’s Epic masterpiece, RENT, hit San Diego’s Civic Theatre. I went with my friend Louie Taylor. Part of the main reason I wanted to go see RENT was because the main draw of the tour is that it has been billed as featuring original cast members, Anthony Rapp and Adam Pascal who would be reprising their roles as Mark and Roger respectively. An unadvertised bonus is that another original cast member, Gwen Stewart, is also reprising her role in the tour as one of the ensemble players as a variety of characters and featured solo vocalist during “Seasons Of Love.”

As the first tour since RENT closed on Broadway in September 2008, it seems all the more poignant to see such a high profile tour with Original cast members Rapp and Pascal on board. They’re no strangers to coming back to the roles that made them Broadway stars as they both were part of the original workshop shows, transferred the show to Broadway and then later to London, then recreated their roles in the film version of RENT in 2005, and then for a limited engagement in Summer 2007 returned to Broadway according to BroadwayWorld.com. These roles have been a part of their lives off and on for the last 15 years. In the interview in the Playbill handed out at the performance Adam Pascal suspects “when we’re done with this tour, I have a strong suspicion that this will be it for me and RENT. At some point I am going to be too old to do the part.”

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My friend Merrick Wolfe, who served as the Company Manager for the Las Vegas production of Mamma Mia! at the Mandalay Bay for the first year of the production, always thought that the roles of Rosie and Tanya for a film version of the movie should be played by Dawn French and Jennifer Saunders of the British comedy team, French & Saunders. Merrick thought this long before a filmed version of Mamma Mia! was ever set to become a reality.

Well Mamma Mia! The Movie swept the world last year with Julie Walters and Christine Baranski in the roles, but now Merrick has sort of gotten his wish in that, Dawn French and Jennifer Saunders, have chosen to do a send up of Mamma Mia! The Movie for the BBC’s annual Red Nose Day fundraiser celebration. They also drafted Jennifer Saunder’s partner in crime from her hit BBC series “Absolutely Fabulous”, Joanna Lumley, and have created a brilliant send up of Mamma Mia! The Movie. Dawn French plays Julie Walters in her role as Rosie, as Merrick had wished so long ago. However his desire to see Jennifer Saunders as Tanya, didn’t quite pan out exactly. Here Jennifer sends up Meryl Streep in the role of Donna, and Joanna Lumley comes in to play Christine Baranski as Tanya. (more…)

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