If you think the only musical theatre entry of Björn Ulvaeus and Benny Andersson of ABBA is MAMMA MIA!, you’d be wrong. Shortly after the last songs of ABBA’s catalogue were completed, the members of ABBA decided to take a break from the group, and Björn & Benny decided to try their hand at writing a musical. Tim Rice, well known for his collaborations with Andrew Lloyd Webber, was in the market for new composers to work with for his idea of building a musical around the idea of a Chess championship. After having met Björn & Benny and deciding to work together, the process of bringing Chess to life was born.
Andrew Lloyd Webber and Tim Rice established a successful formula of trying out the songs from shows they wrote in a “Concept Album” format that got released to the public long before a staged version of the show got made. This methodology was an invaluable way to see if the songs were good enough to warrant the time and expense of launching a full scale musical. Instead of going to the expense of launching a full show, it’s a chance to release the album to the public and see if it generates enough interest. If the album tanks, a fortune has been saved, and if it succeeds, then it creates an audience for the show when it gets launched.