Björn Ulvaeus and Benny Andersson of ABBA first let audiences in on their masterpiece, “Kristina Från Duvemåla,” in Malmö, Sweden on October 7, 1995, then record buying audiences were able to obtain the 3-CD cast recording in September of 1996. Almost immediately there was talk about translating the work to English and bringing it to an American audience, particularly because the story of “Kristina Från Duvemåla” (translating to Kristina From Duvemåla) is just as much a story about Sweden as it is a story about America. However, it seems a lot of the work in bringing “Kristina” to America would have to wait due to the surprise success of a little show launched in London in 1999, called “Mamma Mia!” would demand a lot of time and attention for Björn and Benny.
The story for “Kristina” is based on Vilhelm Moberg’s “Emigrants” series of four novels, which follows the lives of a group of Swedish settlers which include Karl Oscar and his wife Kristina, as they make the tough decision to pack up and take their chances settling in the unknown wilds of America in the mid 1800′s. While the books follow the group, the show has singled out Karl Oscar and Kristina to be the central focus of the show. The novels are considered to be some of the finest works in Swedish literature, which is what attracted Björn and Benny to wanting to tell the tale of Kristina. Their earlier musical effort, a collaboration with Tim Rice on an original idea by Tim Rice resulted in the musical “Chess.” As much as “Chess” is praised for it’s incredible songs, it’s also panned for its relatively weak plot, which left Björn and Benny looking for a well crafted story to transform into a musical. Björn and Benny felt for their second musical, they didn’t want plot to be one of the problems to plague the show.








One of the highlights of 2008 for me was the opening of Xanadu at the La Jolla Playhouse. The stage show that became a surprise hit on Broadway and was even nominated for a few Tony Awards, made its debut as a touring show in San Diego. Following San Diego, the show moved to Chicago and then played a brief stint in Tokyo before going on a brief hiatus for a few months, but now the tour is back on the road starting in Costa Mesa, California, just a short drive from San Diego.
Tonight is the night that Xanadu returns to San Diego. No, it’s not the fantastic stage musical that was here for two months last year. (That’s actually opening up tonight as well, but further up the road in Costa Mesa.) Tonight, it’s the Original Motion Picture version of Xanadu starring Olivia Newton-John and Gene Kelly that is playing here in San Diego.
Later today I will be boarding a couple of flights that will take me to New York City. My flights are “Red Eye” flights that will deliver me to New York first thing tomorrow morning. I’m excited to be seeing the new English translation of the epic musical, Kristina, written by ABBA’s Björn Ulvaeus and Benny Andersson. The show is based on Vilhelm Moberg’s epic novels in “The Emmigrants” series which chronicles the adventures of Swede Karl Oskar and his wife Kristina as they move their family from famine stricken Sweden to the wild’s of America in the late 1800′s.
The touring cast of Wicked is in San Diego at the Civic Theatre this month and I had the opportunity to catch the show for a Sunday Matinee performance. A lot of friends have been very surprised that I haven’t yet seen the show as they know I like to see a lot of shows and usually stay pretty current on the top shows. And despite the long run the show had in Los Angeles, I hadn’t seen it yet. So I made sure to catch it this time around.
I’m sad to report that two great shows on Broadway are closing down in early September. Avenue Q, which has been running since July 2003 will close on September 13th, 2009. The musical 9 to 5 which opened in April of this year will be closing on September 6th, 2009. I’m really disappointed because I love both shows and was hoping at least to see 9 to 5 when I go to New York in late September and both will be done and gone by then.
After having attended the last two San Diego Pride Parade’s in the last couple of years and having to work, I decided this year I was going to make sure I saved a few days of time off so that I could take part in the festivities this year. And with the
If you think the only musical theatre entry of Björn Ulvaeus and Benny Andersson of ABBA is MAMMA MIA!, you’d be wrong. Shortly after the last songs of ABBA’s catalogue were completed, the members of ABBA decided to take a break from the group, and Björn & Benny decided to try their hand at writing a musical. Tim Rice, well known for his collaborations with Andrew Lloyd Webber, was in the market for new composers to work with for his idea of building a musical around the idea of a Chess championship. After having met Björn & Benny and deciding to work together, the process of bringing Chess to life was born.
Dame Edna, the International “Gigastar” (upgraded from “Megastar”) from Moonee Ponds, Australia brought her fantastic show to San Diego’s Civic Theatre for the week of June 2nd through the 7th. I, along with a couple of friends, caught the performance earlier tonight. Dame Edna’s brand of comedy usually stems from the random selection of various audience members usually in the first couple of rows and interrogating them, or pretty much picking on them. And tonight San Diego proved to be a goldmine at the expense of the individuals selected to spark the comedy of the show.
San Diego’s Old Globe Theatre is running a revival of Stephen Schwartz’ musical “Working.” The source material for the musical “Working” is unusual in that it draws it’s inspiration from real life as opposed to a novel, a non-musical play, or film. The material is based on a 1974 non-fiction book by Studs Terkel entitled, “Working People Talk About What They Do All Day And How They Feel About It.” The songs are written by a number of songwriters most notable of which are Stephen Schwartz and James Taylor.
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